Rainger FX Dr Freakenstein Dwarf Bleep inc. Igor

This does everything the Dwarf does – and more!

It’s an extreme full-on fuzz distortion and it’s housed in our own original design steel enclosure.

It has one main knob, which controls the harmonic overtone pitch. This aspect can also be controlled by Igor – a small round pressure operated foot-controller. When it’s plugged in, the main knob becomes the ‘range’ setting for the controller’s operation.

There are two pushbutton switches, one controlling the intensity of the overtone, and the other the function of the Igor controller . In standard mode it controls the pitch of the overtone in real time – as you play. In the new mode, it’s an even more extreme facility, working like a hi-pass filter as it rises, and then morphing into a bit-crusher!

The output volume is adjusted by the thumbwheel.

All the sockets are mounted on the top end panel, so if you have a space 41.5mm wide on your pedalboard, Dr Freakenstein’s Dwarf will slot right in. No extra room is needed for side-mounting jackplugs – a unique feature among mini-pedals. Plus it’s narrower than all others, and comes with Igor to add a real-time expression facility to your playing!

Adjust the trimpot through a baseplate port to change from regular Dwarf behaviour, into full fuzz-bleep weirdness and rhythmic oscillation – present at the start and end of each note.

The Dwarf Bleep ‘Overtone’ pot sets the bleep pitch, from a low square wave up to very high, while the Igor controller works as usual – press with your foot (or hand), and the overtone pitch changes – including bleep pitch.
The noise gate is still in effect.

Adjust the trimpot the other way to go back to standard setting.

Based on the now discontinued Dwarf B***h pedal, the Dwarf Bleep has a wider frequency response, a ‘signal present’ indicator (the LED illuminates brighter when you play), and and cool new graphics.

This hugely exciting new pedal does massive gated fuzz sounds, hi-pass filter/phasers, bit-crushers, downward pitch- change (user tuned), controllable ‘proto synth’ oscillation tones – a huge palette of tones, all controlled in real-time by Igor, and comes in a custom-designed steel enclosure.